Yes, she's the woman in the prose-
“Appearing nine years ago, in her brother's snake-skin jacket
And then on, in dreams”
Winnie's first impulse is to tear apart the page
That seems to have ripped apart her soul
But she is restrained only with bewilderment
Or something like that
How, she wonders, could anyone so gifted,
Anyone who could write a sentence like that,
Be so enormously sad
Maqbool, the wistful, who made the two incomprehensible films
And then nothing else
The boy of such genius
But also such strangeness, such raving madness and unfathomable sorrow
And to tell the truth, Winnie is also, terribly flattered
“He insists on a version of me that seems so tempting to believe really”
He makes her ingenuous, funny, enigmatic, profound, beautiful
Something she is
And she isn't
So much so that one can't help but admire that he is the only one who appreciates the intrinsic her
That only he can
“See through the very folds of my soul”
But then she realizes it's not about her
At all
He sees everyone like this
Like a fictional character he imbibes certain attributes with-
1. ingenuous, 2. funny, 3. enigmatic, 4. profound, 5. beautiful, etc.
But even then, for the few moments that linger after reading,
She starts believing in them
She reads on then
Not to lose herself
But to keep herself
She knows that like those before, this moment of weakness too, shall pass
She knows that the half hour trek has lasted eight years, a chapter and fifty pages
She knows that in ninety seconds from now, she will close the book and join Amar in bed
She knows that the possibility of another future had got over, nine years ago
She knows that he too, in his own way, is slowly but undeniably, getting over her
She knows that at this moment, he is most likely, fucking some impressionable intellectual in LA
She knows that he will win at least the Pen/ Faulkner for this one
She knows him too well
She knows that they will never again make love to each other
She knows that the relationship they have left now
Is only
Metaphysical
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