Scorching nights
Diffused lights
Slender fingers
Forensic fingerprints
Morbid inquisitiveness
Careless carnality
Breathless knees
Buckled ecstasy
You're so sexy, S
M says
Sex is overrated
Even though
She's just as bored as me
She writes as well
Scintillating, limpid prose with unsettling undercurrents
I love
The economy of expression
The mental masturbation
Abound in her words
And face
Losing self
Embracing breath
Ardent tongues
Avid caress
Aching thighs
Waterfall nuisance
Eerie silhouettes
Wall substance
Slow blue love of delphinium days
S in my head and my head in S
I like reading M
And her
Sorrow- scribbled eyes
Curling up with her on cold, winter afternoons
Laughing at the unexpected humor past
Crying copious tears, when no one's looking; into her
Blood-shedding revelations
Reverentially staring at her
Typically devastating endings
Wishing they'd go on
Just a bit longer
And re-reading the abrupt, last paragraph
Again
And again
Distant thuds
Reflecting skin
Awful stabs
Parted lips
Soul curries
Open mouth
Brimmed senses
Last sobs
I met S in
….
With her chic hair and upturned nose
She was too much
Even today, I'm bewildered by how much she looks
Has always looked
Like a Botticelli angel
The same smudged surreality
As though
Created by the artist in recollection.
I say so what if she's also a bimbo
M, I've known since the time I used to think
That sharpened pencil residues
Turned into erasers if kept overnight in a bowlful of milk under the bed
After an eleven hour bed-in that novel morning
S and I had woken up
Imbibing and assimilating
Every molecule of each other
Apart from that we had
Nothing in common
But she was so sexy that morning too,
All fu**ing, functioning parts of her
You know M,
Onceuponatime
There was something dangerous in writing alone
Not having anyone to share the absurdity with
Not anymore
Now, I want to tattoo my prose on
Your torso
Your clothes
Your face
Your prose
That I read
In graffiti- written subway walls
In my forgotten diary entries
In the new slang of born again Christians
In my mother's scrawled recipes
In rediscovered Shesher Kobita
In Japanese calligraphy and me
In the thin, tin, florescent bookmark
Inside the warm, satin covers
Looking a bit like the small, flaring birthmark
On your upper lip
Pages folded like your arms
Unputdownable like you in mine
It astonishes me that you're so much like
Your writing
Even now I wonder if
Beneath your staccato words,
Lay a mistress of kink
Yes, the evening before, S had called me inside and...
I still remember the scandalous, thin cushioned bed
And the mismatching bedsheets in lime- green checks
As though silent, testimonial witnesses
To our clumsy, clandestine, intercourses
While in
M, you revealed to me that day that you didn't like my writing
You said you found it too sentimental
I said, angrily then, that you too could've been beautiful
But for the faint, ugly, creases under your eyes
That seemed to have marked their journey
From one page to another
And that was when you had started crying
And I had left you right there
But when today I see you, M
In black and white, jacket- cover photos
I want to tell you
That I was lying that day
That you are beautiful
That you always
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